Cinema Line FX6 Camera
Details
https://store.sony.com.au/professional-camera/ILMEFX6V.htmlProduct Actions
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Expected in-stock date is Thu Jul 29 2021.
Ready to tell amazing stories
Inside a compact body that's ready for grab-and-shoot action, the FX6 packs a highly sensitive, full-frame image sensor with the power to expand your moviemaking creativity.
Visual stories with extraordinary freedom
Cinema Line FX6 Camera
Autofocus with Sony E-mount lenses
Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors.
Features
- Full-frame Exmor R CMOS sensor and powerful BIONZ XR image processor
- Phenomenal dynamic range of 15+ stops, and high sensitivity up to ISO 409600
- 4K (QFHD) HFR 120fps recording with fast AF and electronic Variable ND Filter
- Cinematic colour science with S-Cinetone
Key Features
Proxy recording for more efficient editing workflow
When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1980x1080 9Mbps MP4 wrapper).
Smart handle
Attachable to the top face of the camera, the smart handle allows stable camerawork and operation when the smart grip is difficult to hold, for example in low-angle shooting. It's also equipped with XLR terminals, a mic holder and a digital Multi Interface (MI) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Quarter-inch screw holes for accessory attachment are provided at seven locations on the handle for increased freedom. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself - ready to seal the body connectors if the handle is removed for rigging.
Fast Hybrid AF for dependable focus during movie shooting
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customisable button.
Professional connectivity
The FX6 features a range of professional interfaces including independent 12G-SDI (supports 3G/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN / TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed.
Dual XLR inputs and enhanced audio capability
The handle of the FX6 carries two independent audio inputs (easy-access XLR connectors) to connect external professional microphones. Additionally, a UWP series wireless microphone may be connected via the MI Shoe.
Real-time Eye AF and Face Detection AF
For reliable focusing on people, especially in unpredictable shooting environments such as news gathering, event and documentary shooting, powerful Real-time Eye AF and Face Detection AF are built in. The real-time processing capability of the BIONZ XR image processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured - allowing you to concentrate fully on shot composition.
Two CFexpress Type A-compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of movie data are being generated.
Reliable durability and weather resistance in tough situations
In response to pro opinions, enhanced sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments.
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Powerful focus control for solo shooters
With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. -
Lens-ring AF subject selection
When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. -
Auto focus area/position
For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor.
Specifications
General Features
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- Lens Mount E-mount
Lens Compatibility
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- Lens Mount E-mount
Sensor
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- Sensor Type 35 mm full-frame, single-chip CMOS image sensor
Sensor Type
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- Sensor Type 35 mm full-frame, single-chip CMOS image sensor
ISO Sensitivity
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- Sensitivity ISO 800/12800 (Cine EI mode, D55 Light source)
Number Of Pixels (Effective)
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- Pixels Approx. 12.9 megapixels(total), Approx. 10.2 megapixels(effective)
LCD Screen
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- LCD 8.8 cm (3.5 type)Approx. 2.76M dots
Audio
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- Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels
Exposure
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- Gain Control -3 to 30dB (every 1dB), AGC
- Gamma Curve SDR mode : S-Cinetone, Standard, Still, ITU709, \nHDR mode : HLG_Live, HLG_Natural
Interface
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- TC Input/TC Output BNC, TC IN/OUT Switchable
- Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectableMic Reference: -30 to -80 dBu
White balance
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- White-Balance Modes Preset, Memory A, Memory B (2000K-15000K)/ATW
Playback
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- Proxy Audio XAVC Proxy: AAC-LC, 128 kbps, 2 channels
- Proxy Video XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR\n1920x1080, 9Mbps
Power
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- Power Requirements DC 19.5V
- Power Consumption Approx. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, \nnot using external device)
- Battery Operating Time Approx. 105min. with BP-U35 battery\n(while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, \nnot using external device)Approx. 215min. with BP-U70 battery\n(while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, \nnot using external device)
Recording (Video)
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- XAVC Intra XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB):Approx. 30 minutes When using CEA-G80T (80 GB):Approx. 15 minutesXAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB):Approx. 36 minutes When using CEA-G80T (80 GB): Approx. 17 minutesXAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB):Approx. 60 minutes When using CEA-G80T (80 GB):Approx. 29 minutesXAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB):Approx. 71 minutes When using CEA-G80T (80 GB):Approx. 35 minutesXAVC-I DCI4K 24p When using CEA-G160T (160 GB):Approx. 74 minutes When using CEA-G80T (80 GB):Approx. 36 minutesXAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB):Approx. 74 minutes When using CEA-G80T (80 GB):Approx. 36 minutesXAVC-I HD 59.94p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80 GB):Approx. 38 minutesXAVC-I HD 50p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80 GB):Approx. 38 minutesXAVC-I HD 29.97p When using CEA-G160T (160 GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutesXAVC-I HD 25p When using CEA-G160T (160 GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutesXAVC-I HD 23.98p When using CEA-G160T (160 GB):Approx. 185 minutes When using CEA-G80T (80 GB):Approx. 91 minutes
- XAVC Long XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB):Approx. 170 minutes When using CEA-G80T (80 GB):Approx. 86 minutesXAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB):Approx. 115 minutes When using CEA-G80T (80 GB):Approx. 57 minutesXAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 320 minutes When using CEA-G80T (80 GB):Approx. 155 minutesXAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 430 minutes When using CEA-G80T (80 GB):Approx. 210 minutes
- XAVC Long XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVCXAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVCXAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVCXAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
Recording (Still images)
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- Pixels Approx. 12.9 megapixels(total), Approx. 10.2 megapixels(effective)
- Sensor Type 35 mm full-frame, single-chip CMOS image sensor
- Built-In Optical Filters Clear, linear variable ND(1/4ND to 1/128ND)
- Sensitivity ISO 800/12800 (Cine EI mode, D55 Light source)
Storage Media
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- Media Type CF express Type A / SD card (x2)Slot B can be used for saving configuration data.
Operating temperature
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- Operating Temperature 0ºC to 40ºC, 32ºF to 104ºF
- Storage Temperature -20ºC to +60ºC, -4ºF to +140ºF
Size and Weight
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- Width (cm) 27.00
- Height (cm) 29.50
- Weight (kg) 3.82
- Carton Width (cm) 27.00
- Carton Height (cm) 29.50
- Carton Weight (kg) 3.82
- Weight (Main Unit Only) (Approx.) Approx 890g (1lb15oz)
- Dimensions (W X H X D) (Including Supplied Accessories) (Approx.) Approx. 2.59kg(5lb11oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder)
- Dimensions (W X H X D) (Body Without Protrusions) (Approx.) 114 x 116 x 153 mm(4 1/2 x 4 5/8 x 6 1/8 inch) (body without protrusions)
Availability
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- Released 2020
1. In Custom mode.
2. Approximate effective pixels.
3. S-Log3 movies, Sony tests.
4. In Cine EI mode
5. Maximum AF points and area coverage. Varies according to recording mode.
6. When the 59.94Hz, 29.97Hz or 23.98Hz system frequency is used, AF is available at 30, 60, 120 and 240 fps. When the 50Hz or 25Hz system frequency is used, AF is available at 25, 50, 100 and 200 fps. AF is not available when the 24Hz system frequency is used.
7. When shooting in QFHD resolution.
8. Shooting is possible within the specified temperature limits (0-40C) as long as the battery and media are not exhausted.
9. The sound level from the fan depends on recording mode and operating environment.
10. The image is cropped by approximately 10% during RAW video output. For details of compatible third-party external recorders, please see manufacturers’ specifications.
11. Selectable resolutions are limited depending on frame rate and resolution.
12. Accessories sold separately.
13. Approximate.
14. CFexpress Type B cards are not supported.
15. Catalyst v2020.1 (coming in 2020) is required.
16. This product is also known as ILME-FX6T, ILME-FX6TK, ILME-FX6V, ILME-FX6V AP2, ILME-FX6VK
This product is searchable
Search for this product by using any of the following codes or IDs
- ILMEFX6V
- 4548736128330
- WW638397
- ILME-FX6V//CAP2
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New Zealand